So you get both a new environment plus a new season and you're meeting new people. It's a long journey so when you get to a new place it'll be a new season in that new place. Jon: Yeah, mainly because you're travelling to different areas. Speaking to the variety of environments, does that mean that enemy types will vary across the seasons? Jon: Yeah, it's a lot more dynamic, the world feels more alive. Previously, our AI wouldn't work in conditions of free-roaming player, which is why we've added a biome system players pinpoint where specific animals or enemies may be. We've just infused them into these more sandbox-style levels. But there are still elements that make it feel like a Metro game, it doesn't feel completely different-it's got flavour from something else and there are still combat, survival, exploration elements that we're used to. When you're walking around one of the non-linear levels, you'll experience them a lot more dynamically than compared to the previous Metro games. I guess being in those open environments does that, where you can still have these player created moments in terms of how the AI relates to the player and being in that world. Jon: Yeah, it's hard to be fully open but story-driven at the same time. Prof: Having a lot of freedom, immediately killed the scenario as far as narrative gameplay is concerned. We have it in a place now where we think: works.
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Taking those two experiences from the team and putting them together-two years into development and we were still trying to figure out how to make it work. Jon: It wasn't as easy as we thought it'd be when we started. We combined the experience of the two projects, our core team's projects, which started with Stalker: Shadow of Chernobyl, and after that Metro. From the beginning it was like: yeah, it will be easy.
Is it much more challenging for your team to build this world, given that you can't just put them underground this time?
We can't say much on the scenario-maybe it'll kill us if we tell you something! It's a much brighter journey because after two games in the tunnels, the team was tired of. Jon: Again without going to much into the story, yes there is a sense of: let's go see what's out there and hopefully we'll find something that's new and interesting and a good place to live. Is the sense of journey more hopeful in tone than we've maybe seen from previous games, or is it still a very bleak journey that Artyom takes?
There's still story within those levels that will guide you through the places you should go but it supports being able to go where you want and do what you want. There's a lot more exploration, there's a lot more open freedom in the sandbox areas to explore, to go in the direction you want, to do the things that you want. You saw in the trailer where Artyom crafts a magazine and swapped it out for the revolver mechanism for his shotgun-things like that are where we're giving the player a lot more customisation options. The weapons system, for example, you'll have a lot more freedom in customisation with your weapons. Jon: There are a lot of features that we're not talking about yet in detail but we have revamped certain systems. You say sandbox survival-is there anything else that'll reflect the open world, other elements that reflect the change in setting? Do you have survival mechanics or anything like that? They're still feel like they're playing a Metro game. We're not entirely open-world, then, it's more sandbox survival and everything is tied together with an overarching storyline that still carries the player through. We're doing this mix of classic gameplay and this new non-linear style and we wanted to maintain what our fans expect, what they've known, and what they're used to and love, while also introducing something new that is blending of what we've done over the past two games and plus something that the core team at 4A Games has done in the past with the Stalker games. The level that we show in the trailer is later in the game and is one of our non-linear levels. Jon: It's a combination of the classic Metro gameplay that everyone is used to from previous games where it's that linear style of gameplay. I think one thing there's a little bit of ambiguity about is whether it's an open world game or not. You saw Autumn in the trailer, that's a level later in the game. Now we actually get to take you into different environments and different seasons. Jon: Yeah, specifically from there: the contrast between that vision of that scene versus basically everything we've seen in previous Metro games-it's always been winter, it's cold, snow, you know, that perpetual winter.
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